Join us as we interview Will Feng! An animation producer affiliated with Studio Trigger; he produced their video game openings (Shantae, Indivisible, Omega Strikers) along with scouting out overseas artists James Gilleard and Jasmin Lai for BNA. Get to know his early animation experiences working at Titmouse, what motivated him to work in anime in […]
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BLEACH: Thousand Year Blood War Cour 2 (#14-26) Production Impressions
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Otakon 2023 was host to many guests, and I did my best to cover all the anime production related ones. Here’s all the stuff I heard and saw that I can’t really turn into a full article, but is too interesting not to post about, featuring:
>Veteran animator Yuuji Yanase
>Director Takaharu Ozaki
Producer Yoshihiro Watanabe of Studio Orange hosted a roundtable at Otakon 2023 with CG Director Shingo Kiyomiya and CG Producer Kiyotaka Waki. Here are our records of the event.
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For Otakon 2023, Studio Trigger president Masahiko Otsuka decided bring along two skilled but essentially unknown young animators from the Trigger Fukuoka satellite: Shunpei Gunyasu and Tatsuya Saitou. Otsuka has “big plans” for the digital branch, now hard at work on Dungeon Meshi. What are these new animators like, and how’s it going down down in Kyuushuu?
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Veteran Shaft animator Kazuya Shiotsuki, freelance screenwriter Keiichirou Ouchi, and TBS producer Junichirou Tanaka came to Washington DC for Otakon last week – July 2023. Otakon was kind enough to arrange for me to sit down and talk with them alongside an interpreter to compensate for my questionable listening comprehension, and they were in turn kind enough to accept.
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Makoto Yukimura’s manga are no strangers to inspired adaptations—Vinland Saga included. This is the story of its team, the challenges they’ve faced, and the recipe they concocted to weather the storm known as TV anime.
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Naruto vs. Sasuke is much more than just a cool fight with exceptional animation. It calls back to simpler times: a reminder at the end of the series why we fell in love with it at the start. This is Hiroyuki Yamashita’s vision, and how he brought it to life.
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The second episode of Tengoku Daimakyou (Heavenly Delusion) maintained the up-tempo pace of the first while ushering in a pair of director debuts of its own, one of which can be found in its absolutely stunning opening sequence.
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Tengoku Daimaykou wasted no time showing off its incredible background art, sophisticated photography, and ominous music. There is much more to the show’s initial success than just these elements though, which makes it worth exploring in greater depth!
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